category: Rummelhoff

Where Does the Time Go?

It’s hard to believe that the year is almost over, but it’s Christmas Eve Day already. Just wanted to let all of you–especially the Gucci dealers and nice people who have the Ultimate Weight Loss Solution and best pornography–know that I’ve been very busy and do apologize for not being a better blogger.

While I wasn’t writing rants about the sorry state of contemporary art or some other such, I was a working fool and also managed to win a Jerome Foundation Fiber Art Project Grant for 2010-2011. Starting in just under two weeks, I’ll be studying paper casting at Minnesota Center for Book Arts, which is a great shop with excellent instructors. Out of this should come a series of editioned reliefs, which will be exhibited next September at the Textile Center of Minnesota.

In other news, I finally got a website up for my friend John at www.johnrummelhoff.com. He’s so prolific it’s nearly impossible to keep up, but I have some recent shots that I hope to upload over the holiday respite.

Until then, gentle readers, be well!

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Picking up the Pieces at Conrad Wilde

Composition 7, John Rummelhoff

Composition 7, John Rummelhoff

I’m writing a brief post to let everyone know about an coming Red Dot event at Conrad Wilde Gallery in Tucson. Having recently moved into a shiny new space, they were burglarized, losing their electronics and several pieces of artwork. Fortunately some of the art has been returned.

In order to recoup some of the losses, the gallery is holding a benefit sale of donated artworks. If you’d like to donate, you’ll need to visit their website and act quickly: works are due there by 4/23. For those of you nonartists, here’s a great opportunity to purchase art at below market value.

Here are shots of the work John Rummelhoff and I are donating and I hope you’ll join in this effort if you can. It’s more important than ever to support independent galleries that offer interesting programming, promote emerging artists, and are vital participants in their communities.

John Rummelhoff, Composition 8

John Rummelhoff, Composition 8

All the works in the show will be no bigger than 16″ square for 2D; 16 cubic inches for 3D. Composition 7 and 8 are about 6 x 6″.

Study for Relief V, 2009 8.25 x 8.25 x 2

Study for Relief V, 2009 8.25 x 8.25 x 2

Burnout, 2007. Mixed media.

Burnout, 2007. Mixed media.

That’s it. Buy early; buy often. And if the burglars just happen to be reading this, shame on you. I hope you have some sort of conscience and bring everything back to the gallery in good shape this instant. As it says on the website, no questions asked. Everyone just wants their things back.

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John Rummelhoff Drawings

Sometimes I wish I were Saraswati: not only is she the goddess of art, language and literature, she has lots of arms for multitasking! So much to do, so little time.

Anyway, as promised, I’m posting more of my friend John’s work. This time it’s several amazing pencil drawings, nearly all of which he completed recently. These are small works, most about 3-6″ high.

I’ve also neglected to mention something here in my posts of others’ work, and I need to add a notice on my site: all the images shown are copyright their various owners.

More to come. For now, enjoy these. I should add dimensions at some point.

Nefertiti

Nefertiti

Victory Possessed

Victory Possessed

Noh Robe, Edo Period

Noh Robe, Edo Period

Death in Madrid

Death in Madrid

Matador

Matador

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John Rummelhoff

Two mixed media works, 2009

Two mixed media works, 2009

Happy 2010, world. I’m writing this post as a response to an inquiry I got from a nice man and fellow artist who shares an interest in one of my oldest and dearest friend’s art. Here are a few photos of some of John Rummelhoff’s recent work, Aaron, and I can send you some more. I just took a few things when I was visiting yesterday.

For the rest of you, these are fairly recent paintings and mixed-media works by American artist John Rummelhoff, b. 1942, Minneapolis, MN. John’s works are in numerous private collections and museums, including the National Air and Space Museum in Washington, D.C.

ZZtop

ZZTop, acrylic on canvas, 2009

One of the great (and perhaps vexing) things about John is that he works in a variety of styles. This is a recent example of one of his visual puns, which often relate to music. He also has a series of national flags that incorporate similar humor.

Iwo Jima (center) and a series of studies, 2009-2010

Iwo Jima (center) and a series of studies, 2009-2010

These are mixed-media works incorporating acrylic, scrap metal, iron oxide, mulch, concrete, and God knows what else. He’s been doing a considerable number of war-related works in the past several months.

2009

Medic. 2009

Another mixed-media work with iron oxide, copper sulfate, acrylic, scrap metal, and gauze. Here you can definitely see the influence of Alberto Burri, a favorite artist.

There’s lots more. This is about all I have time for today but I plan to build a website for John with his complete bio, CV, etc. His story is fascinating and his skills are amazing. Although I didn’t include any images of his representational work this time (other than ZZtop), I will post some drawings that show his breathtaking drafting skills. John began his career with Louis Meisel, the New York art dealer who coined the word photorealism. Although you’ll find examples of his work in Louis Meisel’s first book of Photorealism, John was omitted from subsequent editions and, sadly, from Meisel’s current 40 Years of Photorealism exhibit. But that’s another story for another day.

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