At the foundation of my work is a desire to articulate the evolution of consciousness
through form, to make the implicit explicit--a concrete expression of my daily meditation practice. Artmaking itself is a meditation, and its results are like footprints along a path
to self understanding. It is my hope that both subtle and overt evidence of these
efforts reaches the viewer.

Paper’s power to express vitality, diversity, and change is astounding. It is made of organic materials that are transformed into delicate yet strong fabrics for a remarkable array of forms. Its expressive language is expanded through surface treatment as well as fiber choice and handling. Repetition is also an important element, an influence of postminimalist sculpture as well as textile crafts and other activities traditionally considered “women’s work.”

While I enjoy exploring a wide range of subjects in my work--from art and science to eastern religion--my sculptures are ultimately autobiographical documents, and they are my teachers.